Come On, Los Angeles, Give Us a Pershing Square Worthy of Its Namesake

A 2004 international survey of the best and worst public spaces in the world (the Piazza del Campo in Sienna was #1) described Pershing Square in Los Angeles as follows: 

"Two blocks by three blocks long, this ugly open space sits on top of an underground parking garage. This would be good use of the space, except that the square is rarely used. Office workers in the nearby building or guests at the Biltmore Hotel, one of the oldest and most prestigious hotels in LA, are the only people that you may find in the square, other than homeless people."

Overhead and Ground Level Views of the 
Current Configuration as Described Above

Today, 18 December 2015, three finalists will be chosen in the Pershing Square Renew Design Challenge. They will be chosen from ten semifinalists, who were named in October, that include not only some of Los Angeles’ most august architecture firms but also some of the most renowned international firms. The final selection will be announced on 1 April 2016. Let us pray – that in the spirit of the WWI Centennial – the winner creates something that honors General Pershing and the Americans who served under him. A big part of their challenge will be what to do with the on-site memorials, which include two plaques to General Pershing and a Doughboy statue.  (There is also a cannon from the USS Constitution, a Spanish American war memorial and a monument to Beethoven.)

Current Plaque to General Pershing

I have invited Los Angeleno and WWI Centennial Commission representative Courtland Jindra to share his concern about this important public space with our readers. Here are his comments:

In 1866 the initial city park in Los Angeles was founded as Plaza Abaja.  It immediately became a beloved fixture of the community. In the years that followed, the park's name was changed numerous times as the sleepy LA area started to grow around it.

In 1900 the first piece of public art in the city was erected. A precursor to its future Great War connection, this monument was dedicated to those lost from the 7th California Infantry Regiment (which in future years would become the 160th Infantry Regiment, nicknamed "Los Angeles' Own") who were called into service in the Spanish-American War. For decades after, Memorial Day services at the Square led by veterans of '98 would occur. Originally a trophy cannon from the conflict was included nearby, but during one of the later re-dos of the park it was given to a museum,and never returned. In the 1950s, a large part of the pedestal was also removed due to the parking garage that was added underneath. The extreme weight of over 15 thousand pounds was deemed unsupportable by the underground structure. In the 1930s, a cannon from the USS Constitution was also given to the park to include as a centerpiece (a memorial to Beethoven was also added that decade when the LA Philharmonic was housed across the street).

Pedretti's Doughboy Statue

On 15 November 1918, Central Park, as it was then known, was renamed Pershing Square. It was the first of many WWI tributes and memorials that would soon blanket LA County.  By 1924, a monument designed by local artist Humberto Pedretti was erected, dedicated to the "Sons and Daughters of Los Angeles who served in the World War." The Doughboy statue avoids references to the horrors of war, depicting a soldier carrying his unit's colors forward into battle. The pedestal is surrounded by various inscriptions.  Also of note is the large victory medal that is included on the back side with all the countries that U.S. troops served in and a decorative French Poilu helmet sitting in an olive branch given by Veterans of France. In subsequent years the park became an important area for rallies, recruitment, and liberty bond drives during World War Two.

Surprisingly General Pershing did not get a statue or plaque in the park that bears his name for a few decades. In 1955 a plaque giving a short summary of his career was added. Then, in 1960, during Black Jack's 100th birthday celebration, a marker recognizing the commemoration was also put in the ground. To further memorialize the General of the Armies, a small sapling was flown in from Laclede, Missouri that was planted by nephews Frank and James Pershing, as well as grandson John Coghlan. Unfortunately, no one knows if the tree is still there, though it seems unlikely, given  that subsequent redesigns of the park razed most of the ground.

Pershing Square in the 1950s – The Doughboy Statue More Prominent Than Today

In 1992 the current, and most disliked, version of Pershing Square debuted. In an attempt to try and keep vagrants out of the park the design installed walls on the exterior. Grass was also largely removed to try and prevent people from sleeping there. Unfortunately, the new park was so uninviting that it soon became a ghost town other than the occasional worker who might lunch there. In the decades since it was unveiled, downtown Los Angeles has rejuvenated and the population has increased 500 percent.  Citizens have advocated for Pershing Square to be a centerpiece of the area once again.

Pershing Square Renew was set up as a public/private partnership to redesign the space once again. Given that we are in the centennial period of the Great War, I have advocated that more should be made about its military connection. All of the memorials should be spruced up, but the Doughboy is arguably in the worst shape. The pedestal has cracking and discoloration, and some of the ceremonial stars have fallen off through the decades. The current plan to is that the park will be completely redone by 2019, which seems almost perfect. Would not it be something to reopen it on the General's birthday?

Courtland Jindra

American Collage

 A Random Selection of Images of the U.S. War Experience

(Thanks to the readers who sent these)

The Dust That Falls from Dreams reviewed by David Beer

The Dust That Falls from Dreams

by Louis de Bernières

Pantheon Books, 2015

If you enjoyed Corelli's Mandolin (1995) or saw the movie, you'll be happy to know that de Bernières has now written another rich saga, this time about three families caught up in the Great War and its aftermath. This is de Bernière's second novel set in 1914–18: his Birds Without Wings (2004) takes place in a Turkish village during the war and the rise of Kemal Atatürk. Like other works by this author, The Dust That Falls from Dreams is a lengthy read of over 500 pages — but don't let that put you off. A flowing and lucid prose plus very short chapters make this an enjoyable and effortless read, and almost every page gives evidence that de Bernières has done his homework by acquiring an intimate knowledge of even some of the most obscure details of the war.  This novel has been selected as one of the ten best pieces of fiction for 2015 by Time Magazine.

British Middle Class Family, Prewar Period

Opening with a brief but touching account of Queen Victoria's final days (her last imperial act was to proclaim the establishment of the Commonwealth of Australia), this historical novel takes us into life in the Edwardian era, the war, the period following the Armistice, and briefly on to what was then still Ceylon. The lives of three well-to-do families, all neighbors living just south of London, are focused on during this tumultuous time. They, like so many others, are steeped in the Victorian era of empire and comfort yet are soon to be cruelly disrupted and tested. Predominant are the McCosh family with four daughters — Christabel, Ottilie, Rosie, and Sophie. Mr Hamilton McCosh loves golf, his London club, and a mistress or two while investing in often precarious enterprises. Mrs McCosh "was always writing to the King, and was the fiercely proud owner of a little pile of polite and non-committal acknowledgements from his secretary."

Next to them live their extremely proper American neighbors, Mr. and Mrs. Pendennis, formerly from Baltimore, with their sons Sidney, Albert, and Ashbridge. These boys must shake their father's hand before breakfast and address him as "Sir." On the other side live an Anglo-French family, the Pitts, with two daredevil brothers, Archie and Daniel. All the children are lively and get along well. By their late teens when war breaks out, they have happily formed a pact as "Pals" and romance is beginning to flourish.

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This is the setting for what soon becomes a family saga that we find hard to put down. The author presents the thoughts and experiences of all the main characters throughout the book's short chapters, so as the novel progresses we see events from multiple points of view. Without revealing the story line, I can say that the sections of the book dealing with the trenches, aerial combat, and nursing the wounded and dying – all of which one or more of the young people experience — are among the best I have ever read. When the war ends, those who have survived (death has been no stranger to the families) are overwhelmed by the sense of loss and uncertainty that descends upon them. Everything seems to have changed and they must each deal with it in their own ways. One riveting chapter is an internal soliloquy by Daniel Pitt, who has survived the war after recklessly flying a "split-arsed" Camel fighter ("Real heroes don't jump, they just bounce or burn") and who nostalgically recalls to the smallest detail all he is now going to badly miss.

The characters themselves add greatly to both the charm and the intensity of the novel. Some, like Mrs. McCosh, seem to take on an almost Dickensian quality with their eccentricities. Sophie McCosh, less prominent in the story line than her sister Rosie but more fortunate in love, frequently confuses or amuses everyone with her poetic misuse of the language. It's Sophie who supplies the title for the novel on her wedding night, mystically alluding to a poem by Rupert Brooke.

In many ways The Dust That Falls from Dreams reminds me of a Victorian novel combined with a war novel. So many "ingredients" are blended into the story, such as letters and excerpts from diaries, references to well-known poets, emphasis on proper manners, thoughts on God and religion, and a séance with disquieting results. A fascinating chapter deals solely with the autograph book that Rosie gradually fills up with the signatures and sentiments of her wounded patients: "It was bound in soft black leather, and the paper was thick and watermarked. Rosie had wanted a book of high quality in order to demonstrate to the men how much she valued them."

A British Nurse Lights a Cigarette for a Patient

You'll find plenty of words in this book no longer in use but fairly common during the period. They don't hinder the reading of the novel but do serve to put us more fully in the early 1900s. You may be tempted to look up words like whitster, pelmet, or efell, or wonder what a "cats'-meat-man" is (you can google it). Some are self-explanatory on reflection, such as rear admiral – the solder who drew the duty of cleaning out the trench latrine. As mentioned earlier, the author has done his homework and has written yet another rich, authentic, and captivating historical novel.

Author Louis de Bernières was born in London in 1954. After a brief stint in the army he eventually obtained an MA at the University of London. Before becoming a full-time writer he was a landscape gardener, motorcycle messenger, car mechanic, and English teacher in South America. I can strongly recommend his The Dust That Falls from Dreams to anyone who enjoys a novel that is paradoxically both a leisurely read with a Victorian flavor and also a deeply insightful look at the devastating effects the Great War had on the lives of three families.

David Beer

How to Follow the World War I Centennial Month by Month

The very best way to follow the events of 100 years ago is to subscribe to our monthly magazine, OVER THE TOP.  Below, you can see  all twelve of our covers from 2015, and you will see that we presented new, freshly researched feature articles on the major events of 1915 from all the major fronts, plus innovations in aviation, the early cultural responses to the fighting, the sinking of the Lusitania, and the tragic Armenian genocide.  The year of the war's "signature" battles on land and sea — 1916 — we will cover comprehensively.

OVER THE TOP is a full-color magazine delivered to you electronically.  We have been publishing monthly since 2007. All of our previous 108 issues are available on annual CD compilations, always with some extra features for you to enjoy.  Our 2015 CD (pictured below) besides all 12 1915-2015 Centennial issues includes illustrated guides to the two great battlefields of 1916, Verdun and the Somme.  Also, we continue to offer our very popular musical CD of Great War Favorites.

Please sign-up, you won't be disappointed in any of our OVER THE TOP products.

Don't forget to include your email and contact information.

Remembering a Veteran: Sapper William Hackett, VC

William Hackett, VC

On the morning of 22 June 1916, Sapper William Hackett and four other miners of 254 Tunnelling Company were driving a tunnel toward the enemy lines below the cratered surface of the Givenchy sector of northern France near Vimy Ridge. At about one-quarter of the way toward the German trenches at a depth of about 35 feet, the timbered gallery 4’3” high by 2’6” wide was still in the early stages of development; it was served by a single shaft – the Shaftesbury Shaft. At 2:50 a.m. the explosion of a heavy German mine (the Red Dragon) blew in 25 feet of the tunnel, cutting the five men off from the shaft and safety. On the surface, a rescue party was immediately organized. After two days of digging an escape hole was formed through the fallen earth and broken timbers, and the tunnelers contacted. William Hackett helped three men to safety. 

However, with sanctuary beckoning, and although himself apparently unhurt, he refused to leave until the last man, seriously injured 22-year-old Thomas Collins of the Swansea Pals (14th Battalion, the Welsh Regiment), was rescued. His words were said to be “I am a tunneller, I must look after the others first." The rescuers worked on but were frequently immobilized by German shelling and mortaring of the shaft-head. Conditions above and below ground became more treacherous by the minute. Eventually the gallery collapsed again, entombing the two men. Both still lie beneath the fields of Givenchy today. Figure 1, to the right, shows an overlay of a contemporary aerial photograph and trench map, showing the Givenchy crater field formed by intensive underground warfare, the British and German trenches, the location of the Shaftesbury Shaft that served the tunnel in which William Hackett and his colleagues were working, the German mine crater (Red Dragon) that caused their gallery to fail, and the site of the memorial.

Memorial to William Hackett & WWI Tunnelling Companies at Givenchy
(Dedicated 2010)

For his act of selfless valor William Hackett was awarded a posthumous Victoria Cross — the only such decoration ever to be bestowed upon a Tunneller. He is remembered in perpetuity on Panel 1 of the Ploegsteert Memorial to the Missing near Armentières while Thomas Collins’s name appears on the Thiepval Memorial on the Somme. Why two men who died together and still lie together are not commemorated in the same place is unknown.

Source:  The Tunnellers' Memorial, Givenchy Website

The 100-Year Debate on the Origins of World War One

Article by: Annika Mombauer at the British Library Website

How could the death of one man, Archduke Franz Ferdinand, who was assassinated on 28 June 1914, lead to the deaths of millions in a war of unprecedented scale and ferocity? This is the question at the heart of the debate on the origins of the First World War. How did Europe get from the assassination of Franz Ferdinand and his wife to the situation at the beginning of August when Germany and Austria-Hungary were at war with Serbia, Russia, France, Belgium, and Britain? Finding the answer to this question has exercised historians for 100 years, and arriving at a convincing consensus has proved impossible. 

"Cupidity" by R.Ferro (1916) [Institute Centrale]

The need to fight a defensive war

Establishing the responsibility for the escalation of the July Crisis into a European war – and ultimately a world war – was paramount even before fighting had begun. The governments of Great Britain, France, Russia, Germany, and Austria-Hungary tried desperately to ensure that they did not appear to be the aggressor in July and August 1914. This was crucial because the vast armies of soldiers that would be needed to fight this war could not be summoned for a war of aggression. Socialists, of whom there were many millions by 1914, would not have supported a belligerent foreign policy and could only be relied upon to fight in a defensive war. Populations would only rally and make sacrifices willingly if the cause was just – and that meant fighting a defensive war.

The French and Belgians, Russians, Serbs, and British were convinced they were indeed involved in a defensive struggle for just aims. Austrians and Hungarians were fighting to avenge the death of Franz Ferdinand. Germans were assured by their Kaiser, Wilhelm II, and their chancellor, Theobald von Bethmann-Hollweg, that Germany’s neighbors had "forced the sword" into its hands. In 1914, Germans were certain that they had not started the war. But if not they (who had after all invaded Belgium and France in the first few weeks of fighting), then who had caused this war?

From the victors’ war guilt ruling to a comfortable interwar consensus

For the victors, this was an easy question to answer, and they agreed at the peace conference in Paris in 1919 that Germany and its allies had been responsible for causing the Great War. Based on this decision, which was embodied in Article 231 of the Treaty of Versailles, vast reparations would be payable. This so-called "war guilt ruling" set the tone for the long debate that followed on the causes of the war. From 1919 onward, governments and historians engaged with this question as revisionists (who wanted to revise the verdict of Versailles) clashed with anti-revisionists who agreed with the victors’ assessment.

Sponsored by postwar governments and with access to vast amounts of documents, revisionist historians (many, but not all, German) set about proving that the victors at Versailles had been wrong. Countless publications and documents were made available to prove Germany’s innocence and the responsibility of others. Arguments were advanced which highlighted Russia’s and France’s responsibility for the outbreak of the war, for example, or which stressed that Britain could have played a more active role in preventing the escalation of the July Crisis.

Scenes from the Signing of the Versailles Treaty

In the interwar years, such views influenced a newly developing consensus that no longer foregrounded Germany’s war guilt but instead identified a failure in the alliance system before 1914. The war had not been deliberately unleashed, but Europe had somehow "slithered over the brink into the boiling cauldron of war", as David Lloyd George famously put it. With such a conciliatory accident theory, Germany was off the hook, and instead of remaining a former troublesome enemy could become a potential future ally against the increasingly threatening-looking Soviet Union. And so a comfortable consensus emerged and lasted all through the Second World War and beyond, by which time the Great War (now known as the First World War) had been overshadowed by an even deadlier conflict. 

The Fischer school challenge to the revisionist consensus

There was little reason to question this comfortable orthodoxy after 1945. The first major challenge to this interpretation was advanced in Germany in the 1960s, when the historian Fritz Fischer published a startling new thesis on the origins of the war which threatened to overthrow the existing consensus. Germany, he argued, bore the main share of responsibility for the outbreak of the war. Moreover, its leaders had deliberately unleashed the war in pursuit of aggressive foreign policy aims which were startlingly similar to those pursued by Hitler in 1939.  Backed up by previously unknown primary evidence, this new interpretation exploded the comfortable postwar view of shared responsibility. It made Germany responsible for unleashing not only the Second World War (of this there was no doubt), but also the First – turning Germany’s recent history into one of aggression and conquest.

The German establishment, which included leading historians and politicians, reacted with outrage to Fischer’s claims. They attempted to discredit him and his followers. The so-called Fischer school was accused of "soiling its own nest", and in the context of the Cold War of the early 1960s, it is not difficult to see that the question of the origins of the First World War was of serious contemporary political significance. Those willing to question Germany’s recent past and those wanting to hide any potential wrong-doings by Germany’s former leaders clashed in a public dispute of unprecedented ferocity.

In time, however, many of Fischer’s ideas became accepted as a new consensus was achieved. Most historians remained unconvinced that war had been decided upon in Germany as early as 1912 (this was one of Fischer’s controversial claims) and then deliberately provoked in 1914. Many did concede, however, that Germany seemed to have made use of the July Crisis to unleash a war. But its government was not the only one to do so. In the wake of the Fischer controversy, historians also focused more closely on the role of Austria-Hungary in the events that led to war and concluded that in Vienna, at least as much as in Berlin, the crisis precipitated by the assassination of Archduke Franz Ferdinand was seen as a golden opportunity to try and defeat a ring of enemies that seemed to threaten the Central Powers.

New questions but no new consensus

In recent years this post-Fischer consensus has in turn been revised. Historians have returned to the arguments of the interwar years, focusing for example on Russia’s and France’s role in the outbreak of war, or asking if Britain’s government really did all it could to try and avert war in 1914. Germany’s and Austria-Hungary’s roles are de-emphasized, and it is stressed that there were decision-makers in all the major capital cities who considered a general European war in August 1914 to be a risk worth taking. After 100 years of debate, every conceivable interpretation seems to have been advanced. In some of the most recent publications, even seeking to attribute responsibility, as had so confidently been done at Versailles, is now eschewed. Is it really the historian’s role to blame the actors of the past or merely to understand how the war could have occurred?

Such doubts did not trouble those who sought to attribute war guilt in 1919 and during much of this long debate, but this question will need to be asked as the controversy continues past the centenary. The current consensus on why it broke out is "that there is no consensus". After 100 years of arguing about the war’s causes, this long debate is set to continue.

Images of Gas Warfare

Haunting, absurd, inhuman, looking like B-movie science fiction, the images of gas warfare still pack a wallop 100 years later.

Photos from Steve Miller and Tony Langley

The U.S. World War I Victory Medal

Recommended: Pickelhaube Picks from Anitques Road Show

By Dennis Gaffney

Militaria expert Bruce Herman says that most collectors are drawn to Pickelhaube helmets for one reason. "Their appeal is the spike," Bruce says of the pointy adornment known as a spitze in German. "That feature makes these helmets unique, and they set the tone for helmets through the second half of the 19th century."

But it's not only Americans (their most common collectors) who desire them. "These are universally popular," explains Bruce, who is based in Pasadena, California. "Collectors come from Australia, Sweden, Germany, South America...I've encountered collectors from all over the world." We asked Bruce to educate Antiques Roadshow fans about the history of Pickelhaube helmets and to provide some tips to potential collectors about what to look for. Here's what he told us.

A Prussian Design

The Pickelhaube helmet was introduced in 1842, at a time when King Friedrich Wilhelm IV of Prussia undertook a major modernization of his army. Until then, his soldiers still wore the shako style typical of the Napoleonic Wars. Wilhelm tossed aside this headgear—tall, cylindrical hats now commonly worn by school marching bands—popular among Western armies in the late 18th and early 19th centuries. . ,

Read the complete article here:

http://www.pbs.org/wgbh/roadshow/tips/helmets.html

Photo from Steve Miller

A Kingdom United: Popular Responses to the Outbreak of the First World War in Britain and Ireland reviewed by Jane Mattisson Ekstam

A Kingdom United: Popular Responses to the Outbreak of the First World War in Britain and Ireland

by Catriona Pennell

Oxford University Press, Oxford, 2014

A Kingdom United gives a new and nuanced picture of the reactions of the British and Irish to the outbreak of war in 1914. They were neither wholly enthusiastic, as has sometimes been stated about Britain, nor were they completely disengaged, as historians have claimed about Ireland. There was, and indeed never could be, any "single, uniform reaction to such a major event as the outbreak of war in Europe" (227). The hitherto accepted idea of collective war enthusiasm is a simplification of popular feelings in a time of grave danger. In reality, there was a wide range of attitudes: excitement, curiosity and adventure, but also insecurity, fear and depression. And such feelings knew no national boundary.

In comparison with France and Germany, volunteerism was more prominent in Britain; indeed, 1914–1916 saw the raising of the largest volunteer army in British history. Britain and Ireland shared the same view of what was at stake: "national honour, liberty, the rights of small nations" (230). They were very different, however, in one important regard — domestic politics. While these were suspended in Britain, war was to become an integral "part of the politics of domestic peace in Ireland" (229).

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A Kingdom United is the first study to focus on how the British and Irish responded to the war. Concentrating on the first five months, from August to December 1914, Pennell explores a multiplicity of emotions, identifies patterns, and draws new and important conclusions from the evidence. She investigates newspapers, diaries, journals, memoirs, interviews taken retrospectively, photographs, police records, sermons and government records, giving equal weight to national and regional reactions to the outbreak of the war.

In addition to the above sources, Pennell's study incorporates adventure stories by G.A. Henty, H. Rider Haggard, Boy's Own magazine, and best-selling accounts of the South African War, which promoted an image of war as honorable and glorious. Pennell notes that in the years leading up to the First World War, war was increasingly becoming a moral phenomenon in which ethical issues were of critical importance.

The growing feeling that Germany was a threat to Britain is also discussed in A Kingdom United. By 1911, relations between Britain and Germany were deteriorating. Britain was expecting war to break out due to a growth of German imperialism, disputes with France and later with Germany, and the decision to abandon the traditional policy of isolationism. The attempts to improve Anglo-German relations between 1911 and 1914, and Britain and Germany's collaboration during the Balkan crises of 1912–1913, produced a false belief in the idea that the July 1914 crisis could be resolved. As a result, the sense of surprise and shock at the outbreak of war in August was, as Pennell convincingly demonstrates, significantly exacerbated.

Chapter Four, "Encountering Violence: Imagined and Real," is particularly fascinating. It explores people's knowledge of war and violence and how the opening months of the war were characterized by a vacuum of news that fueled "apprehension, rumour, and fear" (124); the possibility of a German invasion seemed to be coming ever closer. As wounded soldiers returned from the front and as people learned of the loss of their loved ones, the pain and grief "literally brought the war home" (142). As a result, the kingdom in 1914 "did not stay united, but paths of division were strongly influenced by the length and nature of the war, matters that were still shrouded in mystery in 1914, and were by no means foreordained" (232).

10th Irish "New Army" Division in Training, 1915

A Kingdom United is a fascinating and convincing study. It is fastidiously researched, contains illuminating illustrations, copious footnotes, excellent short presentations of the 441 characters discussed (Appendix I), and a statistical breakdown of their gender and prewar occupations (Appendix II), the location of the diaries, journals, and memoirs used (Appendix III), and a presentation of anti-German riots and western military events for October 1914 (Appendix IV). The bibliography is extensive and includes old as well as more recent studies. A Kingdom United is personal, engaging, and fresh. It is also written in an eloquent and easy-to-read style — a major achievement given the complexity of its subject. As an important contribution to the history of the British home front during the First World War, it is warmly recommended.

Jane Mattisson Ekstam

Remembering the First World War Veterans of 7 December 1941

Crew and Officers, USS Oklahoma, 1917

Today, on the anniversary of the Day of Infamy, let's look at the ships of the Pacific Fleet that served in the Great War. Of the ships damaged or sunk, three served overseas in Battleship Squadron 6 – the second group of battleships deployed to the war zone. (The other was Squadron 9, deployed with the Grand Fleet.)

The three ships of Squadron 6 at Pearl Harbor were the USS Utah (by then converted to a gunnery ship), the USS Oklahoma, and the USS Nevada. The ships' mission was to escort convoys across the Atlantic. After the Armistice they helped welcome President Wilson to the Paris conference and were present at the surrender of Germany's High Seas Fleet. Here are each of the three ships and a little information about them:

USS Utah (BB-31/AG-16)

USS Utah on Station, Bantry Bay, Ireland, 1918

Utah Being Refloated After the Attack

In the first minutes of the Japanese attack on Pearl Harbor, the ship was hit by two torpedoes, which caused serious flooding. Utah quickly rolled over and sank; the vast majority of her crew were able to escape, but 64 men were killed in the attack. The wreck remains in the harbor, and in 1972 a memorial was erected near the ship.

USS Oklahoma (BB-37)

USS Oklahoma, Berehaven Harbor, Ireland, 1918

Oklahoma Capsized Next to USS Maryland, Which Suffered Minimal Damage

On 7 December 1941, a total of 429 crew died when the USS Oklahoma capsized and sunk on Battleship Row after being struck by several bombs and torpedoes during the Japanese attack. Most of the battleships that were recovered after Pearl Harbor were able to be salvaged and return to duty. But not the USS Oklahoma. She was too damaged and was eventually stripped of her remaining armaments and superstructure before being sold for scrap in 1946 but was lost at sea in transit to the Pacific coast.

USS Nevada (BB-36)

BB-36 in Three Configurations: Original/WWI, 
Interwar Modernization, Post-Pearl Harbor WWII

The Only Battleship to Get Under Way on 7 December, Nevada's Captain Was Ordered
to Run the Ship Aground to Avoid Blocking the Main Channel

Of the three veterans of Squadron 6, USS Nevada was the only ship to survive the attack and the only battleship of the Pacific Fleet to attempt to get to sea. Over the course of the morning, Nevada suffered a total of 60 killed and 109 wounded It was repaired within a year. Nevada served as a convoy escort in the Atlantic and as a fire-support ship in four amphibious assaults: the Normandy landings and the invasions of Southern France, Iwo Jima, and Okinawa. After the war, deemed obsolete, the Nevada suffered the indignity of being designated a target ship for atomic bomb tests.  However, after surviving a blast at Bikini Atoll, the ship was more fittingly sunk by naval gunfire.

Engineer Officer Donald Ross, USS Nevada,  Receiving the 
Medal of Honor for His Service on 7 December

Don Ross played a critical role in getting the Nevada's engines working that day. Your editor had the good fortune of chatting with him in the 1980s over a cup off coffee on a Puget Sound ferryboat. As we returned to our cars, I noticed his license plate was a special State of Washington issue with a Medal of Honor designation. I later looked up his citation and this is what it says:

For distinguished conduct in the line of his profession, extraordinary courage and disregard of his own life during the attack on the Fleet in Pearl Harbor, Territory of Hawaii, by Japanese forces on 7 December 1941. When his station in the forward dynamo room of the U.S.S. Nevada became almost untenable due to smoke, steam, and heat, Machinist Ross forced his men to leave that station and performed all the duties himself until blinded and unconscious. Upon being rescued and resuscitated, he returned and secured the forward dynamo room and proceeded to the after dynamo room where he was later again rendered unconscious by exhaustion. Again recovering consciousness he returned to his station where he remained until directed to abandon it.

Verdun: Total Battle in Total War

"The battle of Verdun is the battle of France."

It's a place of the identity of France, of France-ness, I would say. There was no battle before, and no battle after, which was so important in the French memory. So, you can't understand France without understanding Verdun.

The French troops were unprepared in Verdun. It sounds incredible, but that is the case. Why? Because the French High Command didn't expect any attack on this particular sector of the front. So the German attack was a complete surprise for French troops, and especially for the French High Command.

German troops had the advantage of surprise.

The Verdun Battlefield – 1916

Second, is the huge advantage in artillery that German troops had at the turning point of the war, especially in heavy guns. And the French Army couldn't match the German artillery.

I think the soldiers on the battlefield of Verdun – French soldiers or German soldiers the same – felt completely lost, completely abandoned. And we have to understand why. You have no ordinary trenches in Verdun. There are no trenches anymore because of the heavy bombardments. You have only pieces of trenches, and soldiers are alone or in small groups everywhere with no officers, no tactical links. So they feel completely abandoned on the battlefield. For example, there are no stretcher-bearers. No food. No letters. Nothing at all. So that is a very specific sort of battle.

I think that in the total war, the battle of Verdun was a total battle.

Published in France While the Battle Was Ongoing

I think that French soldiers were perfectly aware of the meaning of the battle. In their eyes, the battle was a defense of their women, their wives, the children, the French religion, the French soil. It looks very strange to us now, but for the French soldiers of 1916, it was very clear to them. The battle had real meaning.

Stephane Audoin-Rouzeau, University of Picardie, Interview