Now all roads lead to France and heavy is the tread
Of the living; but the dead returning lightly dance.
Edward Thomas, Roads

Wednesday, June 22, 2016

Alan Seeger, War Correspondent



The poet/soldier Alan Seeger, born in New York and educated at Harvard University, lived among artists and poets in Greenwich Village, New York, and Paris, France. When the Great War engulfed Europe, and before the United States entered the fighting, Seeger joined the French Foreign Legion. I have a friend, who has been telling me for years that Seeger was a tremendous war correspondent, and I've finally had a chance to read some of his work.

Frank, you were right! In the collection of Seeger's letters and diary are included six long letters he sent to the New York Sun. Below are some passages from the first of these, dated 8 December 1914. One commentator describes Seeger's style as His war is intensely impressionistic — vivid, intensely colored, even painterly.

To: the New York Sun
Arriving in a New Sector

There is something fascinating if one is stationed on sentry duty immediately after arrival in watching the dawn slowly illumine one of these new landscapes from a position taken up under cover of darkness. The other section has been relieved and departs, we are given the consigns by the preceding sentinel and are left alone behind a mound of dirt facing the north and the blank, perilous night. Slowly the mystery that it shrouds resolves as the gray light steals over the eastern hills. Like a photograph in the washing its high lights and shadows come gradually forth. The light splash in the foreground becomes a ruined chateau, the gray-streak a demolished village. 

The details come out on the hillside opposite,  where the silent trenches of the enemy are hidden a few hundred meters away. We find ourselves in a woody, mountainous country, with broad horizons and streaks of mist in the valleys. Our position is excellent this time, a high crest, with open land sloping down from the trenches and plenty of barbed wire strung along immediately in front. It would be a hard task to carry such a line, and there is not much danger that the enemy will try. 

French Sentry On Duty
With increasing daylight the sentinel takes a sheltered position and surveys his new environment through little gaps where the mounds have been crenellated and covered with branches. Suddenly he starts as a metallic bang rings out from the woods immediately behind him. It is the unmistakable voice of a French 75 starting the day s artillery duel. By the time the sentinel is relieved, in broad daylight, the cannonade is general all along the line. He surrenders his post to a comrade and crawls down into his bombproof dugout almost reluctantly for the long day of inactive waiting has commenced. . . 

The State of the War

After the brilliant French victory in the battle of the Marne, the Germans, defeated in their attack on Paris, fell back to a line about midway between the capital and the frontier and intrenched themselves strongly along the crests well to the north of the River Aisne. The French, following close on their heels, took up whatever positions they could find or win immediately behind and sat down no less strongly fortified along a line separated from that of the enemy by distances of usually only a few hundred meters. A deadlock ensued here, and the theatre of critical activity shifted to the north, where the issue is still at stake in the tremendous battle for the possession of the seaboard and the base for an enveloping movement which may be decisive. 

Toward the east the operations have become pretty much confined to the artillery, pending the result of the fighting in the north, which must be decided before an advance can be undertaken by either side on other points of the line. 

It's Already an Artillery War

True, occasionally a violent fusillade to the right or left of us shows that attacks are being made and at any moment are likely to be made, but these are only local struggles for position, and in general the infantry on the centre are being utilized only to support the long line of batteries that all along this immense front are harrying each other at short distances across field and forest and vineyard. 

This style of warfare is extremely modern and for the artillerymen is doubtless very interesting, but for the poor common soldier it is anything but romantic. His role is simply to dig himself a hole in the ground and to keep hidden in it as tightly as possible. Continually under the fire of the opposing batteries, he is yet never allowed to get a glimpse of the enemy. Exposed to all the dangers of war, but with none of its enthusiasms or splendid elan, he is condemned to sit like an animal in its burrow and hear the shells whistle over his head and take their little daily toll from his comrades. . .

It is ignoble, this style of warfare, he [a veteran of the Balkan Wars]  exclaims. Instead of bringing out all that is noble in a man it brings out only his worse self meanness and greed and ill temper. We are not, in fact, leading the life of men at all, but that of animals, living in holes in the ground and only showing our heads outside to fight and to feed. 

French Burial Party Removing Artillery Casualties

Though modern warfare does not allow us to think more about fighting than eating, still we do not actually forget that we are on a battle line. Ever over our heads goes on the precise and scientific struggle of the artillery. Packed elbow to elbow in these obscure galleries one might be content to squat all day long, auditor of the magnificent orchestra of battle, were it not that one becomes so soon habituated to it that it is no longer magnificent. We hear the voices of cannon of all calibres and at all distances. We learn to read the score and distinguish the instruments. Near us are field batteries; far away are siege guns. Over all there is the unmistakable, sharp, metallic twang of the French 75, the whistle of its shell and the lesser report of its explosion. When the German batteries answer the whistle and explosion outdistance the voice of the cannon. 

When one hears the sifflement [whistling] the danger has already passed. The shells which burst immediately overhead and rattle on the roof of our bombproof dugout come unheralded. Sometimes they come singly, sometimes in rapid salvos of two or three or four. Shrapnel's explosive report is followed by the whiz of the flying balls. Contact shells or marmites explode more impressively, so that the earth trembles. Shrapnel shatters trees and snaps good sized trunks as if they were twigs; contact shells dig holes eight or ten feet across all over fields. . .

Back on Sentry Duty

It is toward evening that the cannonade is always fiercest. With darkness it almost completely subsides. Then the sleepy soldiers, cramped and dishevelled, crawl out of their holes, rouse themselves, stretch their legs and take the air. Everybody turns out like factory workmen at 5 o clock. The kitchen squad departs, others set to work repairing smashed defensive earthworks and the night s first sentinels go on. 

Sentry duty, which may be all that is melancholy if the night is bad and the winter wind moans through the pines, may bring moments of exaltation if the cloud banks roll back, if the moonlight breaks over the windless hills or the heavens blaze with the beauty of the northern stars. It has been so for the last few nights, since I commenced these notes. A cold wave has frozen all the bad ways; a light snow has fallen and at night the moonlight flooding out of a frosty sky illumines all the wide landscape to its utmost horizons. In the hollow the white shell and chimneys of the ruined chateau stand out among the black pine groves; on the crest opposite one can trace clear as in daylight the groves and walls and roadways among which wind the silent and uncertain lines of the enemy's trenches. 

Daily Life in a French Trench During the Early War
Standing facing them from his ramparts the sentinel has ample time for reflection. Alone under the stars, war in its cosmic rather than its moral aspect reveals itself to him. Regarded from this more abstract plane the question of right and wrong disappears. Peoples war because strife is the law of nature and force the ultimate arbitrament among humanity no less than in the rest of the universe. He is on the side he is fighting for, not in the last analysis from ethical motives at all, but because destiny has set him in such a constellation. The sense of his responsibility is strong upon him. Playing a part in the life of nations he is taking part in the largest movement his planet allows him. 

Seeger would serve another 19 months in the trenches before he met his "Rendezvous with Death" on 4 July 1916 during the Battle of the Somme.  Letters and Diary of Alan Seeger (New York: Scribner’s, 1917) is available online at no charge. 

2 comments:

  1. Vivid picture of life and death in the trenches from a French point of view

    ReplyDelete