|Das Magdeburger Ehrenmal|
Artist Ernst Barlach was an early enthusiast for the German war effort. He enlisted at age 44 despite coronary disease. After two years service he was was discharged—now a committed pacifist. After the war he took several commissions for German war memorials.
For the 1929 memorial at Magdeburg, Barlach returned to wood sculpture, a favored medium. A large oak panel featured three German soldiers at top, possibly meant to show a young recruit, a junior officer with bandaged head, and an older reservist. The central figure embraces a large cross inscribed with the dates “1914 1915 1916 1917 1918." At the bottom are the heads of a weeping woman, a rotted corpse wearing a helmet, and a self-portrait of Barlach, hands to his horrified face, gas mask hanging from his neck.
Das Magdeburger Ehrenmal (aka the Magdeburg Cenotaph) was declared to be degenerate art due to the "deformity" and emaciation of the figures. It was also attacked by Nazi ideologue Julius Rosenberg who claimed that the soldier on the right was a Russian. (Strangely, this concept has persisted with some people still believing that the figures are German, French, and Russian, respectively.) The attempt to link Barlach with Russia was part of a campaign to paint him as a non-German. Barlach was also called a Jew and a Communist.
|Current Location, Magdeburg Cathedral|
Friends spirited away the Magdeburg carving before it was seized by the authorities. After the Second World War ended, Barlach’s work was brought out of hiding. The Magdeburg panel was remounted at the Magdeburg Cathedral. Today it is a launching point for local protest demonstrations.
Source: Shrine of Dreams Blog