The United States entered the First World War when it declared war on Germany on 6 April 1917. The government promptly established a Committee on Public Information to coordinate propaganda for the war effort. The committee’s Division of Pictorial Publicity soon began planning to provide the American Expeditionary Force (AEF) with official artists. The Division selected eight American artists, all of them experienced illustrators. The US Army commissioned them as captains and assigned them to record the wide-ranging activities of the AEF for posterity, as well as to help shape popular understanding of the war at home.
By spring 1918 the artists were in France, busy at work. Both the American and French high commands gave the artists carte blanche to travel where they would in the war zone and to draw whatever they saw. They took full advantage of their freedom to create images of men, machines, and landscapes from the ports of debarkation to the front lines. Ultimately they produced more than 700 sketches, drawings, and paintings.
Here is a representative example of each of the eight artist's work.
![](https://blogger.googleusercontent.com/img/a/AVvXsEjOlZXd84e9bZB-5PU8qvQoA6Dkvj0dPrpXBYvEKYT2l-JO7WLGPS74mTcSVMg6g3N5uU8fnSc5cOAN8czK1gR-iZJ0xUGXj3vHr-sxMBXZYcJaQH9A49i19OIj6TXSntD3cnTxMJFGAbsyxk4VTYs-1NY-x-hWR7T_BSG4OTBSnTCGe-bAkR1fPlpfC74=w640-h532) |
On the Gas Alert by Harry Townsend |
![](https://blogger.googleusercontent.com/img/a/AVvXsEgNwI8XbuWTzFQW2Xoj7KTLMla3LnIzFsOK_qytUubsB8OhF3K4hC7Lv6lXQffZyPnBMvTorhG8Voxy4itvQvuTv_BbrIVVGyUTxCYgEtWQ70hnAfDqS4PaltJ_dIx767Qn0LRM6seDEFmA6S8OH3uthEzcmh7N-HGH1NgK4GyJ69kxWO05ajPYf3sbnhI=w549-h640) |
Locomotive Shop Near St. Nazaire by Ernest Clifford Peixotto |
![](https://blogger.googleusercontent.com/img/a/AVvXsEgAkg58QxTl7ylwPE4isvbutDE_A_UsAAMm4uszNB4p8sCoFsVPhndk2M4vm04PVJpS6e07XpSFpBYAQLSYSixPfeh1YREvX4wT6hOWGuPhbxV_5Iqg89L4pjS-r6gt1o_a19u2GsjHSYXWekBJtPFAffBZkJhrIo5MuOHlBXs2UWgfeRHG36e7h4MBCR4=w483-h640) |
American Troops Watering Horses by Walter Jack Duncan |
![](https://blogger.googleusercontent.com/img/a/AVvXsEiJ5lrcuV3KwuGqK415qqQHQpCBFzOXDp8assSincOl4lKVHsGocZR9Wnuu9s5myagoMfrser1GGePuyl3WP2N5KPlV8g2Z3LtLGMtIat4k62EzO160rJY2HfyBxRkTgwYyd14utT2rdcXlXvfLqGp6MQ_0seARPqDJZ8-JU0srx06ikKtf5G6Xq3j7ouU=w640-h514) |
American Artillery Relieved at Deumx by Wallace Morgan |
![](https://blogger.googleusercontent.com/img/a/AVvXsEgkd-BixjeALs4fXjqQJriMZ99DRXncCjPUJLV6Aw_fWXpALjCraDND_xbXPyDmJ4Nzl77NmHTIxuxcosn_5WOUjYfA-H5-ttN-zD3rVT4foZwO__n0-0e13aCHYrdotW11TfeBUwNaVmBAsfPmyAFCbEO-zs3ys7DrfxbeCi0_leFDNMYQBwB8skoobu4=w640-h485) |
Bridge at Chateau-Thierry by J. Andre Smith |
![](https://blogger.googleusercontent.com/img/a/AVvXsEgvle9cEyOhoJ-ZQGspJcJfWoU2AG1F_CxXQTeBG6YxlNolO6UtlW2rSCzKnIue1O_8CyjQlI9M7xJD9CR0S7E1zM08jDcLIA6eWJ-0W4w35IX6UAZUNc5TOw_Jn_qnqVzaQy2t14gGlZB9e1fCCnVgNLjYwDbNgASyVMPrwIQPcz5eVWFXqrLyXRVUb3c=w587-h640) |
Sniper at Chateau Thierry by Wm. James Aylward |
![](https://blogger.googleusercontent.com/img/a/AVvXsEgCNlrkUwn_Zt3dHFO1pIMBgY4tW5xKJtPVXy9YFSLJwjxlzJBIv-dKH4jETAl2yn7cri2-DxGemYO_wN4QeypWwpgv19qTNkxluzUKlwIYIhG_Ktc7BOuLyusPOX_AHfZSMAUBkXWV55mfVdOb-WHD719PPFKob1pVWJN980n9Qf8H7Oh1it8uvmhDFII=w640-h478) |
Tanks Attacking Early September 26th by George Mathhews Harding |
![](https://blogger.googleusercontent.com/img/a/AVvXsEiNyRHZJ9pGSQtU99frnhezSqzgOjz_A2T3UcM7xTiiemxGC1Kb6zSsvY77KNnMEX5Ht5BnRhsDRgLDf3EcmVWzxniAteJxqRymdw5SWrd2O2k9-BS0z8MBmx7fFlfeZTTvbgANfs3oBTe-tiNqW_peAJGr_UgPxByvhj9eaHz7141_NRseAm3oNBnk2CQ=w640-h462) |
Walking Cases by Harvey Dunn |
Source: Picturing World War I: America's First Official War Artists, 1918-1919 from the Smithsonian; full article with over 100 examples HERE
Stunningly beautiful drawings of constant horror. The details are extraordinary.
ReplyDeleteLest we forget Fromelles 19 July 1916
Margaret Australia